KANJARI BANN’RYA MERI IZAT NA GHATT’DI: UNHEARD VOICES OF PERFORMING GIRLS OF RURAL PUNJAB

Abstract

In Pakistan, sex work and its association with individuals have been commonly perceived as undesirable, often leading to misconceptions that sex workers are either victims of trafficking or solely motivated by monetary gain. This prevailing view also assumes that those engaged in sex work are confined to brothels or solicit clients outside their residences. Contradicting this prevailing notion, this paper undertakes a narrative study focused on the Kanjari women residing in rural Punjab. Instead of approaching individual Kanjari women as mere victims, this study delves into the practice of Kanjari dance as a culturally rooted and 'legitimate' communal activity within the Kanjar caste. Rather than treating sex work and dancing as isolated activities, this research contends that they form integral components of the traditional Paisha (occupation) of this caste, boasting a deep-rooted and intricate historical context. Those participating in the family economy derive income as Kanjari dancers through their labor and earnings. This livelihood pursuit, which has persisted through generations, is not a matter of choice for them but a practice they embrace without shame or apology. This paper asserts that their perspective on this practice is characterized by positivity, and even defiance, reflecting the distinctiveness of their subculture. The term 'subculture' here pertains to the Kanjar community and its associated traditions, set apart from the dominant mainstream culture of Pakistan. To examine this phenomenon, eight women from this caste were interviewed, yielding illuminating insights. The findings of this research unveil a larger societal context where this community remains underrepresented, marginalized, subjected to degradation, and socially isolated. This mistreatment stems from the societal perception of them as a criminal tribe, leading to their vi lack of state recognition and protection. Consequently, the absence of official acknowledgment severely undermines the agency of the women engaged in dancing and sex work within this community, placing their lives in jeopardy. Moreover, a brief discussion on why women join this profession is presented, followed by an explanation of why they cannot leave it at their will. The objective of this research is to portray the lives and realities of individuals within this community without highlighting any illegal, unethical, or criminal aspects. The aim is to provide an authentic and respectful representation of their experiences and identities. Keywords: Kanjari, Mohallah, Paisha, Hawaii Rozii, Kanjar Zaat